Before going to bed, I watched a rather amusing and creepy movie on AMC called 13 Ghosts. Essentially, Dr. Plato Zorba, the esteemed scientist of the occult, dies and leaves his haunted house to a heavily-mortaged family–his nephew’s. Plato is not the only odd name. The daughter’s name was Medea (which I didn’t catch until after they asked the Ouija board if Medea was in love–the spirits thought it was a stupid question and so did I), yet her love interest’s name was not Jason. The son’s name was Buck. Medea and Buck–what an odd combination of names for siblings, until you consider that they were named by Cyrus and Hilda Zorba. I think it was one of the first movies to master the art of depicting ghosts–in their transparent and ethereal way–on screen. The most disturbing image for me was not Mario the ghost with his meat cleaver, but the headless liontamer who kept “looking” for his head in the lion’s mouth. I then fell asleep watching Scooby Doo. There’s a certain carry-over of the creepy ghost story, but surprising little. It was more the aura of poverty which forced the Zorba family to endure the ghosts of their dead uncle’s home. The spiders, floating fork, and windstorm are also likely related to the influence of 13 Ghosts.
In a dream last night, I watched a Partridge Family Biography special. Towards the end of their career, they collaborated with Richard Rodgers (of Rodgers and Hammerstein). After performing on stage together with another singing family (I don’t know where they came from, but this family was attempting to escape the rural poverty which was so apparently a major factor in their lives), Keith Partridge (David Cassidy) threw up his fringed arms and said, “This isn’t working.” Then he left the stage.
I went into a dressing room and attempted to check the door to see if it would lock. It didn’t seem like it would as I was trying to lock it from the outside, but it made a much more secure closure once I got in the stall. The room was a strange combination of dressing room/bathroom: long white cabinets (wooden, with obvious neglect, but not in that decorator “weathered” sort of way) used to have sinks, but didn’t anymore.
There was a fierce windstorm. I was in the old house, looking out the master bedroom window at the cul-de-sac. Nearly all the cars nearby had been disturbed by the wind. There were two vans in the middle of the circle that had crashed into each other: they were white vans with blue logos and I intially thought they were Center vans. About three or four other cars littered the circle. I felt completely awful: my stomach ached, my head pounded, and I was slightly dizzy. I told Mom, who was lying in the bed, that I simply couldn’t do anything today. We actually were in the middle of a move, as I discovered in a panning camera move that allowed me to see outside without being outside, and the two vans were full of our belongings. The logo, which I previously believed to be a column, was actually a white roadway with a blue background. We were moving into the Peters’ house. My car was in Nicole’s driveway and had not gotten blown by the wind. After seeing this, I went to my room. I had at least six plastic stacking tables all on top of each other. I was looking for my four-CD poetry collection. I moved the stack of tables and saw a murder of brown spiders (I don’t know what the special name for a grouping of spiders is, so I’ll just use “murder”). They had woven a web around two dirty forks, continually feeding off the residue. I put the tables back and tried to pretend I had never noticed the spiders. I put in the new 5-DVD Biography series on French existentialists that I had bought for $40. I was not happy to learn that I had bought the French version, so I had essentially wasted my money. I only comforted myself by thinking about how well I would sleep with French in the background. (I have a tendency to doze off during French movies–I’ve only stayed awake through Weekend, Breathless, Jules and Jim, and, after about five attempts, The 400 Blows. I fell asleep at least five times during Last Year at Marienbad.) I was quite amused to see that all music was provided by Pere Ubu; there was an interview with them which was the only part in English.
I dreamt something about Karrie and Olivia, but I don’t remember anything except their presence.