The puppet
October 23rd, 2001NPR was going to feature the Village on All Things Considered, but I couldn’t get in touch with Lael to tell him. Then I couldn’t tell if they HAD or if they WOULD, and I was stuck in a room without a radio. I went to the website to see if I could listen to it that way, but I couldn’t. I wondered how I’d document this brush with fame.
Lael, Kathleen, and I were living together in a two-story Riverside house built in the 1920s. The kitchen was at the base of the stairs, and the stairs leading upstairs had a parallelogram of wood over it, looking rather stylish yet guillotine-rific. Kathleen and I went upstairs where the bedrooms were, and she had me stand in a corner. “You just stand right here and amuse Lael.” Then Kat brought out a life-size blue puppet, kind of an Asian-looking man in a 1950s Ward Cleaver hat, and turned on the power to it. Every five minutes it would turn its head towards me and clap, and I’d just giggle and clap right along with the puppet. “Just perfect.” So, like clockwork, the puppet and I giggled and clapped our hands.